I’ve been snapping photos of hand-painted signs (or otherwise handmade) for as long as I can remember and only just today went over the 600 mark. After a recent trip to visit my former home, NYC, I discovered several new “reveals” that were the result of City Gates or Coca Cola awnings being removed during renovations. Luckily I had a decent enough camera on my phone to capture them with. After all the years of having this obsession, you’d think I’d never leave the house without my digital SLR. Click here to view the photos.
Posts Tagged ‘Typography’
A rotating exhibit at the Lillian Goldman Visitor Center of the Seed Savers Exchange highlights some beautiful seed catalog covers from days gone by. I’m nowhere near Decorah, IA, but if you aren’t either, don’t fret. They’re updating this Facebook photo album with samples from the exhibit. Hopefully they’ll be adding more as this is merely the inaugural selection. When you’re done, you should also check out another album of “Early 1900’s Seed Catalog Tin Signs & Magnets,” which they’ve re-issued as tin replicas that you can buy in their online store.
Those of you who frequent this website should appreciate the relevance of this AIGA Austin presentation: On Thursday, March 27, 2014, designer, blogger and typophile Nikki Villagomez will share her thoughts on how culture affects the decision-making processes of everyday life. Her presentation includes pictures taken throughout her travels accompanied by a discussion of the comparisons (and contrasts) in typography choices based on location.
I’ll be there:
Thursday, March 27, 2014
6:30 PM – 8:00 PM
506 Congress Ave. Suite 200
Austin, Texas 78701
Hey, lovers of visual junk. Long time. Well, I just uploaded some new-ish photos of hand painted/hand made signs from around Austin to my Flickr (click image to jump on over):
I’m a sucker for 1950s color advertising photography, with its over-saturated colors and idyllic subjects and scenery. The packaging for the baia Instamount Photo Cube was no let down in this respect. Looking like scenes from bygone family-oriented TV shows the sides of this box, which held a once ubiquitous acrylic photo cube, wreak of family values and WASPy middle American life. The eye-catcher for me, though, was the simple 3-color baia logo set in a bold, slightly extended version of Clarendon. It feels rather modern for such a classic and commonly used typeface perhaps due to the even/odd interplay of the flipped words’ alternating characters. I owned a baia 8mm film editor some time ago and never paid much mind to the faded, black logo on it. I’d surely have kept the thing if the logo had appeared like this.
The HandpaintedType project is a collaborative, on-going effort to preserve, well, the hand painted type of Indian street painters. A 10-minute documentary video introduces the project’s website visitors to a few of these forgotten masters as well as the computer-aided scoundrels who’ve made their skills “obsolete.” In the fast-moving haste of bustling Delhi, business owners prefer cheap and speedy Arial-based signs over the comparatively arduous, though stunningly artistic hand-painted banners of yore. (more…)
Behold this recently acquired stash of Bell Records 45 RPM and 78 RPM 7-inch vinyl records, which were distributed by Pocket Books and featured cover versions or “sound-alike” versions of popular tunes of the time. Sound-alike versions were cheap to produce and, beyond the flat rate the musicians were paid, cost the record company only publishing royalties on top of manufacturing and distribution. A nickel and dime game perhaps, but there was certainly profit to be made if enough unsuspecting customers bought the sound-alikes instead of the real McCoys. Some of the songs featured in this collection are Jackie Wilson’s That’s Why, here performed by otherwise-lost-to-history act, “The Muses” and the Kingston Trio’s hit, Tom Dooley, performed by the equally anonymous “The Four Dreams.” (more…)
“The Lost Type Co-Op is a Pay-What-You-Want Type foundry, the first of its kind.” So reads the first line on their About Us page. I had to read their About Us page because I wanted to find out what the catch was. Here are several typefaces—many vintage-inspired—that I’d like to own and each has a pay-what-you-will price model that ruffled the skeptical feathers on this bird. But there’s no catch. The Lost Type Co-Op really does sell high quality fonts designed for print and sometimes web use (@font-face) for whatever price—including zero dollars—you are willing to pay. Upon entering the amount and clicking the DOWNLOAD button on a particular font’s page, your download starts immediately and you are then redirected to PayPal to complete your order. Yes, your product is delivered before you finished paying for it. (more…)