I’ve been snapping photos of hand-painted signs (or otherwise handmade) for as long as I can remember and only just today went over the 600 mark. After a recent trip to visit my former home, NYC, I discovered several new “reveals” that were the result of City Gates or Coca Cola awnings being removed during renovations. Luckily I had a decent enough camera on my phone to capture them with. After all the years of having this obsession, you’d think I’d never leave the house without my digital SLR. Click here to view the photos.
Posts Tagged ‘ephemera’
A rotating exhibit at the Lillian Goldman Visitor Center of the Seed Savers Exchange highlights some beautiful seed catalog covers from days gone by. I’m nowhere near Decorah, IA, but if you aren’t either, don’t fret. They’re updating this Facebook photo album with samples from the exhibit. Hopefully they’ll be adding more as this is merely the inaugural selection. When you’re done, you should also check out another album of “Early 1900’s Seed Catalog Tin Signs & Magnets,” which they’ve re-issued as tin replicas that you can buy in their online store.
Those of you who frequent this website should appreciate the relevance of this AIGA Austin presentation: On Thursday, March 27, 2014, designer, blogger and typophile Nikki Villagomez will share her thoughts on how culture affects the decision-making processes of everyday life. Her presentation includes pictures taken throughout her travels accompanied by a discussion of the comparisons (and contrasts) in typography choices based on location.
I’ll be there:
Thursday, March 27, 2014
6:30 PM – 8:00 PM
506 Congress Ave. Suite 200
Austin, Texas 78701
Hey, lovers of visual junk. Long time. Well, I just uploaded some new-ish photos of hand painted/hand made signs from around Austin to my Flickr (click image to jump on over):
Ready for another visually and intellectually stimulating time suck? Look no further than the wonderfully rambling blog Confessions of a Bookplate Junkie where said junkie Lew Jaffe shows off his personal collection of bookplates—which go way beyond those timid Papyrus “ex libris” stickers—as well as other related bits of graphical ephemera and goes on wild hare tangents that both inform and amuse. Seriously, any fans of spot color printing, woodcut, engraving and etching, hand-lettering, illustration and graphic design in general will find this otherwise modest blog to be pure design inspiration.
I’ve just added some new label scans to the Cult of the Goat bock beer labels gallery. It’s now up to 74 gruesome, goofy, and plain old weird looking goat-adorned labels from American breweries—like the one here from Fort Pitt Brewery, which resembles something out of a ’70s Salem witch trials movie. Enjoy!
Here’s one of the stranger items I’ve stumbled upon in my dustbin diving. Apparently, you used to be able to stick a stamp on just about anything and mail it—including this aluminum Tray Postcard adorned with all of the highlights one could handle on their trip to the Lone Star State. There’s no indication of when this was created nor whether any were actually mailed or delivered to their intended recipients. Just a slice of potential postal history that managed to survive relatively unscathed. Seen one in the wild? Or, even better, received one?
I’m a sucker for 1950s color advertising photography, with its over-saturated colors and idyllic subjects and scenery. The packaging for the baia Instamount Photo Cube was no let down in this respect. Looking like scenes from bygone family-oriented TV shows the sides of this box, which held a once ubiquitous acrylic photo cube, wreak of family values and WASPy middle American life. The eye-catcher for me, though, was the simple 3-color baia logo set in a bold, slightly extended version of Clarendon. It feels rather modern for such a classic and commonly used typeface perhaps due to the even/odd interplay of the flipped words’ alternating characters. I owned a baia 8mm film editor some time ago and never paid much mind to the faded, black logo on it. I’d surely have kept the thing if the logo had appeared like this.
The HandpaintedType project is a collaborative, on-going effort to preserve, well, the hand painted type of Indian street painters. A 10-minute documentary video introduces the project’s website visitors to a few of these forgotten masters as well as the computer-aided scoundrels who’ve made their skills “obsolete.” In the fast-moving haste of bustling Delhi, business owners prefer cheap and speedy Arial-based signs over the comparatively arduous, though stunningly artistic hand-painted banners of yore. (more…)