Those of you who frequent this website should appreciate the relevance of this AIGA Austin presentation: On Thursday, March 27, 2014, designer, blogger and typophile Nikki Villagomez will share her thoughts on how culture affects the decision-making processes of everyday life. Her presentation includes pictures taken throughout her travels accompanied by a discussion of the comparisons (and contrasts) in typography choices based on location.
I’ll be there:
Thursday, March 27, 2014
6:30 PM – 8:00 PM
506 Congress Ave. Suite 200
Austin, Texas 78701
Hey, lovers of visual junk. Long time. Well, I just uploaded some new-ish photos of hand painted/hand made signs from around Austin to my Flickr (click image to jump on over):
Ready for another visually and intellectually stimulating time suck? Look no further than the wonderfully rambling blog Confessions of a Bookplate Junkie where said junkie Lew Jaffe shows off his personal collection of bookplates—which go way beyond those timid Papyrus “ex libris” stickers—as well as other related bits of graphical ephemera and goes on wild hare tangents that both inform and amuse. Seriously, any fans of spot color printing, woodcut, engraving and etching, hand-lettering, illustration and graphic design in general will find this otherwise modest blog to be pure design inspiration.
If ever I yearned to be in New York City in the winter it was now. On display now through February 15 the AIGA National Design Center in New York hosts The Lustigs: A Cover Story, described by AIGA as “an encyclopedic exhibition of the Lustigs’ design work.” Lovers of visual junk already know I’m a fan of the Lustigs’ work and so my excitement about this should come as no surprise. Their individual graphical styles seemed to complement each other’s, which one might expect in a husband and wife dynamic. However, both Elaine’s and Alvin’s work stand strongly as individual bodies in and of themselves.
What makes this particular exhibition shine is that many of the works are presented in final form — meaning that, in addition to the usual framed, precious-objects-behind-glass, many works appear as vintage printed books mounted to the walls (see inset). Such a presentation makes a world of difference; like seeing the actual Mona Lisa rather than a picture in a book — no matter how beautifully it was reproduced. See you in New York!
I’ve just added some new label scans to the Cult of the Goat bock beer labels gallery. It’s now up to 74 gruesome, goofy, and plain old weird looking goat-adorned labels from American breweries—like the one here from Fort Pitt Brewery, which resembles something out of a ’70s Salem witch trials movie. Enjoy!
Here’s a beauty that came to me via a friend and fellow 45 collector—an Alex Steinweiss cover for a box of Morton Gould 7-inch records on Columbia. Here’s the wonderful Steinweiss script we’ve come to love contrasted against some microscopic Futura type amid some rather basic geometric line art. Simple and beautiful and a great example of Steinweiss’ thin-line, slightly jittery, script lettering. Enjoy!
I found these two Alex Steinweiss-designed and illustrated album covers gathering dust in a St. Vincent de Paul thrift store in South Austin. None of his beautiful, signature, curly script, but still fun nonetheless. They’re still there, so go grab ‘em!
Here’s one of the stranger items I’ve stumbled upon in my dustbin diving. Apparently, you used to be able to stick a stamp on just about anything and mail it—including this aluminum Tray Postcard adorned with all of the highlights one could handle on their trip to the Lone Star State. There’s no indication of when this was created nor whether any were actually mailed or delivered to their intended recipients. Just a slice of potential postal history that managed to survive relatively unscathed. Seen one in the wild? Or, even better, received one?