Just an FYI that I recently uploaded some new hand-painted signs from Austin to the ever-growing exhibit, Hand-Painted and Hand-Made Signs. There are a few more, but this one here is my latest favorite. I love how universally used the bullet is for separating words that would otherwise run together.
New Hand-Painted Signs From Austin
May
15
2012
The Lost Type CO-OP
March
23
2012
“The Lost Type Co-Op is a Pay-What-You-Want Type foundry, the first of its kind.” So reads the first line on their About Us page. I had to read their About Us page because I wanted to find out what the catch was. Here are several typefaces—many vintage-inspired—that I’d like to own and each has a pay-what-you-will price model that ruffled the skeptical feathers on this bird. But there’s no catch. The Lost Type Co-Op really does sell high quality fonts designed for print and sometimes web use (@font-face) for whatever price—including zero dollars—you are willing to pay. Upon entering the amount and clicking the DOWNLOAD button on a particular font’s page, your download starts immediately and you are then redirected to PayPal to complete your order. Yes, your product is delivered before you finished paying for it. (more…)
Vernacular Typography – a website, blog and film
March
9
2012
Fellow type-obsessed collector, Molly Woodward, has embarked far beyond the shores of this occasional blogger’s endeavors with her website, blog and Kickstarter-funded film project, all appropriately titled “Vernacular Typography.” Visitors of my Hand-painted & Hand-made Signs exhibit may see some overlap, possibly in one or two sign photos, but definitely in a related passion for the often overlooked typographic relics scattered throughout cities as exotic as Havana, Florence and Newark. Her film has been successfully funded and I can’t wait to see what comes of it. While future generations may not have the real artifacts to admire and study, there will surely be sufficient digital archives thanks to the tireless efforts of folks like Molly. Cheers!
Ernst Haeckel and the Unity of Culture via the Public Domain Review
September
29
2011
Renegade Darwinist/zoologist and truly “mesmerizing” illustrator Ernst Haeckel may have caused quite a stir when he posited organic matter as originating from inorganic matter through spontaneous generation. However, he’s most surely better known for his incessant visual chronicling of our planet’s oddest lifeforms and their myriad variations of form and color. In his article on the Public Domain Review, Dr Mario A. Di Gregorio, professor of the History of Science at the University of L’Aquila and author of From Here to Eternity: Ernst Haeckel and Scientific Faith, offers insight into the origins of Haeckel’s theories and the mind-bending art that came from his obsessive depictions of the Kunstformen der Natur, or Art Forms in Nature
Letterheady – Vintage & Not-So-Vintage Letterhead Designs
July
29
2011
Click on over to Letterheady, a one-page scroller featuring letterhead designs for such notable figures as Nikola Tesla and Adolph Hitler to obscure companies like the Liverpool-based Robot Salesmen Ltd. They appear to be legit, with sources linking to other sites from which the examples were culled. Some seem to have been Photoshopped to give them an empty, unused state. Who cares. They’re fun to browse and fit right in here with my love of Visual Junk.
Bobo the Clown & Boy via These Americans
July
22
2011
The tagline for the These Americans website is “American Art, History and Culture Through Pictures” and, while this image of “Bobo the Clown and Boy (1951)” portrays the selflessness and compassion that embodies the American spirit, the website does tend to highlight some of the more colorful aspects of the Home of the Brave. Take, for example, their gruesome collection entitled “American Lynching” that contains photos featuring crowds of smiling white folks (including children) squeezing into frame around bare-chested black men tied, hung by their necks and often burned. (more…)
Bap-Tizum
May
25
2011
The home page on Bap-Tizum.com contains two lines of text. The first of which reads: “Bap-Tizum.com is an archive of Black-American Christian spiritual music & sermons from the 1930s to the 1980s.” ‘Nuff said. Nothing about the drab, gray background or the poor quality Polaroid image that embellishes this page would clue you in to the fact that the site is a goldmine of forgotten audio recordings, ripped from the original vinyl records and organized by record speed: 33 (1/3), 45 and 78 RPM. Being a fan of old gospel music I’ve been loyally listening to Kevin Nutt’s Sinner’s Crossroads show on WFMU for years and I discovered this site from its contributions to the Free Music Archive.
But what pulled me into this site was its rather humbling collection of album cover and record label designs, which make up the entire user interface for listening to the audio tracks. Clicking on 45, for example, in the top navigation bar reveals an ever-expanding page displaying small-ish images of 45 label scans, each a link to their respective audio recording. I wish there were larger images available for us lovers of visual junk, but that’s just me wanting more of an already good thing. Spread the good word, Bap-Tizum.com is an inspired feast for the eyes and ears.
vinylclockwork – Handcrafted vinyl record clocks
May
6
2011
I just received my handmade vinyl record clock from vinylclockwork and love it! Mine was carved out of a Roger Williams LP on the classic and colorful Kapp Records label. I opted for the free-form version that I thought added to the uniqueness of the piece, though there is a ringed version with abbreviated (3, 6, 9, 12) numbering and a cool dot pattern fill. As a vinyl record collector I can assure you that no listenable albums were harmed in the making of these clocks. I applaud these folks and others who find a creative way to deal with the mountains of corny, cheesy, syrupy goo that our parents and grand parents listened to and that now collect dust by the crate-load.
Abandoned Yugoslavia Monuments
May
3
2011
I stumbled upon this blog post containing some remarkable photographs of cold war era monuments that seem right out of a post-apocalyptic sci-fi movie. My favorite is this one located on a hilltop in Podgarić, Croatia and also immortalized on this Yugoslavian postage stamp. From what I can dig up it appears to be a WWII memorial made of concrete and aluminum and was possibly erected in 1967. I remember seeing some similarly powerful Soviet-era monuments while travelling in Vietnam, but none as striking as these. What’s probably most eerie about them to me are the photographs themselves. The monuments certainly don’t seem contemporary, but instead rather futuristic and they appear more like relics of a lost civilization situated in uninhabited landscapes much like Inca and Mayan monuments must have looked to early bushwhackers. Days of Future Passed!
MoMA Collects Lustig (Alvin, that is) via The Daily Heller
April
28
2011
Steven Heller posted this piece on Elaine Lustig Cohen’s recent talk at MoMA’s Library and Museum Archives on the museum’s collection of works by her late husband, legendary graphic designer Alvin Lustig (previously lusted over on this website). Cohen is, of course, a superb graphic designer in her own right and probably too often overshadowed by Mr. Lustig’s high-profile body of work. My favorite piece of hers I discovered years after acquiring it. Huh? Picked up for a song in an NYC used book store, Jose Ortega y Gasset’s On Love: Aspects of a Single Theme sat on my bookshelf of design fetishes for years before I’d ever bothered to look up who’d designed the cover—even though her signature was plainly visible.